Double Vision

There are times when you shoot a roll of film and things don't quite go to plan.

Film itself is an imperfect medium. It's an emulsion adhered to a length of plastic film, and cameras can require quite a bit of concentration to use properly. Even then, you can end up with an out-of-focus picture, a finger in front of the lens or too much light getting to the film.

It's all a bit of a worry.

My beloved Holga 120 GN is about as basic a camera as you could want. One aperture, one shutter speed, zone focusing and the ability to choose either instant shutter (N) or bulb mode (B). Bulb mode simply keeps the shutter open for as long as the shutter button is held down.

There is another "feature", though, that can either trip you up or give you a little serendipity, depending on your point of view.

The shutter isn't locked to the film advance. Unless you remember to advance the film after taking a picture, you can end up with a double exposure.

And that's exactly what happened here.

I'm firmly on the Lomo side of the argument. Accept the flaws. Don't look for perfection. Sometimes the things that go wrong are the things that make the photograph interesting.

So, is this picture the result of my own ineptitude?

Or is it the universe adding a little bit of its own magic to the mix?

 

Lomography Without the Camera - Why the real Lomography is about how you see, not what you shoot with

Lomography is more interesting as a photographic attitude than as a brand or a particular type of camera.

The commercial side is almost a distraction from the idea of shoot first and ask questions later. Lomography itself frames the philosophy around “Don’t Think, Just Shoot” and its 10 Golden Rules, which encourage spontaneity, experimentation, getting close, shooting from unusual perspectives, accepting uncertainty and, ultimately, not worrying too much about rules.

You don't need a Lomography camera to photograph like a Lomographer. You could go and buy a camera and film from Lomography and call yourself a Lomographer, but then what? You still have to go out and shoot it. And that's the interesting bit, because you don't actually need to buy anything at all to embrace the idea.

Photography is largely a set of rules for making the correct exposure, producing the best print and using the equipment in a certain way. Photography culture can encourage us to evaluate photographs against technical and aesthetic standards rather than simply experience making them.

Lomography is there to liberate photographers, not create another club with another set of rules or a membership test.

What happens when we stop trying to take the “right” photograph? The important thing is not to replace one set of photographic rules with another.

Take a camera with you and just shoot ordinary life. Let your gut feeling guide your shutter finger. Accept mistakes. Photography can be part of life's participation and not just a way of documenting it.

The Lomography 10 golden rules are not a rigid prescription but rather a set of permission slips.

Lomography may be a company, but it is also an idea.

The interesting part isn't the camera. It's what happens when you stop treating photography as a technical examination you have to pass.

Shoot any camera, whether that is a phone, DSLR, mirrorless, disposable or old film camera, and begin to participate. Make photographs because something catches your eye, because you have a feeling about a moment, or simply because you are there.

If you make a photograph this way, share it on BlueSky. Tag it #lomo or #lomography.

Not because it was made with a particular camera. Not because it is technically perfect. But because it represents a particular way of seeing: spontaneous, curious, imperfect, immediate and alive.

Photography has accumulated a lot of rules. Lomography asks what happens when you forget them.

Life by the Water

What is it about water that draws us as people? We have always lived beside rivers and seas, established harbours, built floating docks, travelled from them and returned to them.

Swansea harbour is a lovely place simply to spend time. This Holga 120 GN photograph of the harbour-side walkway, with shops on one side and the water on the other, is typical of the way harbours have been transformed in recent years. Once places of industry, trade and departure, many have become spaces to pause, wander and enjoy the water—while still retaining something of their connection with movement, travel and the wider world.

 

Inside photography.

In contrast to my last blog post, where things didn't exactly go to plan, this photo was the one on the roll that did go to plan. I shot two images, one at the metered settings and this one with the aperture closed down by a whole f stop.

The writing is on one of the faces of the pulpit and the decorative table was arranged just so. This one I am happy with. It has the dark shadows and detail in the highlights. The subject is in focus and the depth of field is suitably short.

 

Balance

Photography can be about the balance between light and dark, between maintaining highlight detail and shadow detail. It's also about getting sharpness through the photograph and ensuring that the bit's that you want in focus are actually in focus. Of course with film you have absolutely no way of know until you develop the film.  This photo I focused on the table but that has thrown the window behind the table out of focus as I was shooting at f5.6. Still you live and learn (hopefully).  At least I live to shoot another day, when I shall right the wrongs of this roll.

 

Canals and Holgas

I am drawn to canals. I think that is nothing better than a walk along a canal, especially in the Autumn. While the Autumn is a while off yet, I am yearning for cooler days and changing colours.  Canal walking, although all walking,  keeps you fit (ish) and your mental health good. The best bit is that there is usually a tea shop, where you can sit and enjoy a hot drink and a slice of cake. always something to look forward to.

I take a Holga, with a roll of film installed, with me. This photograph is a lucky frame from a roll that I deliberately exposed using the bulb mode of the Holga, but hand held.  Yes it's less than pin sharp but the ethereal feel of the photo works for me.  It is another toll in the tool box of the creative photographer, in using the camera in a way probably not intended by the manufacturer.

Colour - Reality or Construction

If the point of colour film is to more accurately represent reality (and who is saying that it is?), then putting colour film into a Holga is the last thing that you should do. Which is why from time to time that is exactly what I will do. This photo was taken in spring and the canal was coming to life. The lens is not sharp across the frame but has areas of out of focus image as your eye moves from the centre of the frame. The result feels less like a record of the day and more like a dream you once had. Dreams are what remain when memory start to be unreliable. Looking back on my life from 2026, it's hard to know what was real and what was a dream. I do know that some of my dreams became real and some of my realities were relegated to dreams.